Contact:
albertoscarsten@gmail.com
+46 76-853 55 83


Where You Lived, And What You Lived For
2024
Exhibited at: 
Kunstmatrix / Artpartner
as part of CreateCOP29
Where You Lived, And What You Lived For is a short film based on historical, scientific forest images from the archives of the Swedish University of Agricultural Sciences.

The images were originally created to study and research various aspects of forests and forestry. In this video work, the images are brought to life again through AI. The voiceover, also AI-generated, is based on several sections of the book "Walden" by Henry David Thoreau. The work explores aspects of what "back to nature" might actually mean in an artificial world. 



Melt
2024



Becoming (ID)
2024
This work is based on an old ID photo of my father that I found in the pocket of an old jacket. I scanned the image, appreciating both his Mona Lisa-esque smile and the lines of the card, which created a subtle 3D effect.

I used an AI generator to transform it into a moving image, and after each generation, I continued to extend the process. The result evolved into a sort of breakdown of the image into pure lines and light—a feedback loop or an apparent inability to create anything further. The final piece presented here is a combination of the original photo and the reversal of the AI process.



And What Happened Next? (Horses)
2024
On going work exploring found footage of horses bought at a flea market. The meeting between AI-generated moving images and the materiality of the found footage is the focus of the piece. 

The work is part of several other works exploring the anti-photographic aspects of artificial intelligence. Doing the opposite to the medium of photography when making images move through its algorithmic dreaming. 


A Hard Currency of Memories
2024
Screened at: 
Simultan, HEI-House of European Institues, 2024
Simultan Festival, 2024

A Hard Currency of Memories is an experimental essay film that navigates the intricate relationship between memory and data. Through individual interviews detailing experiences of data loss, along with field site visits and interviews at a data recovery lab, the film sets out to investigate the infrastructure underlying this modern phenomenon. Enriched with archival material, it offers a deep dive into the complexities of memory preservation in the digital age.

Archival material from The Prelinger Archives Home Movies. Sourced from the Internet Archive. As well as private family films from the directors personal albums.




Sketch_01 - Eye Loop
2024

1. 
a rough or unfinished drawing or painting, often made to assist in making a more finished picture.


2.
a short humorous play or performance, consisting typically of one scene in a revue or comedy programme.

The Web
2022- (ongoing)
The Web is an on going project of analog contact prints and test strips made during many years from photographs of family, home and places I often dream about. 

This a selection of some of the prints. 


Ögonkontakt / Eye Contact
2023
Exhibited at: 
Super Sight, SJCD, 2023
gna project, 2023
Ögonkontakt / Eye Contact consists of archival material from a family album that has been AI-generated into moving images. The archival material consists of glass negatives scanned in the early 2000s and has therefore been a low-resolution source material. 

The artist has worked with the information gap in the work to see what the result becomes through an AI-generated enhancement. The focus of the eyes in the work takes leaps in perhaps the most profound communication we humans are accustomed to: eye contact. 

What happens when still images are presented as moving material? The recurring gazes become a meeting with an archive, artificial memories with relatives, but also an examination of how real the generated eyes are perceived. A recurring death algorithm or a mirror to the soul.

 


Arvet, skogen och det inre
2023
Artist talk & Screening - Sune Jonsson Centrum för dokumentärfotografi, Umeå.(SWE)
Artist talk and screening of the video work Arvsmassa.
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