Nordic Light Festival, Kristiansund
2023
gna project, Stockholm
2023
Dödsupplevelser (Death Experiences) is an exhibition that explores concepts of digital immortality and digital re-creation. With various photo-based technologies such as artificial intelligence and virtual reality, there are voices today arguing that the border between real and digital life may soon be blurred. The works in the exhibition explore the spiritual side of these technological developments. How similar ideas are found in religion and mythology, how sophisticated the technology is for this and what glitches that might occur in the process. The exhibition also shows archival material and texts from a hundred-year-old diary containing correspondence with a medium who was part of the anthroposophical circles of the time.
The images and video works shown are a mixture of material from family albums, AI-generated images and new material created in dialogue. The techniques are intertwined and photography as a medium is at the center of the various questions raised throughout the different works in the exhibition.
Super Sight,
Sune Jonsson Centrum för dokumentärfotografi, Umea
2023
Ögonkontakt / Eye Contact consists of archival material from a family album that has been AI-generated into moving images. The archival material consists of glass negatives scanned in the early 2000s and has therefore been a low-resolution source material.
The artist has worked with the information gap in the work to see what the result becomes through an AI-generated enhancement. The focus of the eyes in the work takes leaps in perhaps the most profound communication we humans are accustomed to: eye contact.
What happens when still images are presented as moving material? The recurring gazes become a meeting with an archive, artificial memories with relatives, but also an examination of how real the generated eyes are perceived. A recurring death algorithm or a mirror to the soul.
Härnösands Konsthall, Härnösand
2022
Röda Sten Konsthall, Göteborg
2021
Radhuset, Vaxholm
2020
Rådhuset, Vaxholm
Liljevalchs, Stocholm
Galleri Rotor2, Göteborg
2020 / 2020 / 2019
Sune Jonsson Centrum för dokumentärfotografi, Umea
2023
HDK-Valand, Gothenburg
2020
Frilagret, Göteborg
2019
2025
Vortex of the Unseen is a project that explores how memory is constructed and reimagined through machines. Using generative AI trained on rephotographed prints from the Swedish University of Agricultural Sciences (SLU) Image Archives, the work assembles a speculative visual system—one that simulates evidence, observation, and classification. The images feel like scientific records, but they are entirely artificial. What appears factual is in fact a hallucination shaped by material traces, language, and pattern recognition. Rather than aiming for realism, the project treats AI as a tool for poetic reconstruction—an apparatus that remembers without witnessing.
2021
Jag ärvde en mörk skog dit jag sällan explores a location that encompasses a family, forestry history, and a strike conflict that occurred in Ådalen in 1931.
The work consists of contemporary photography as well as archival material from family and the Swedish University of Agricultural Sciences. Through interventions in the archival material and encounters between different sources, a weave of place, memory, and history is portrayed in an attempt to understand a personal and collective heritage.
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2024
Where You Lived, And What You Lived For is a short film based on historical, scientific forest images from the archives of the Swedish University of Agricultural Sciences.
The images were originally created to study and research various aspects of forests and forestry. In this video work, the images are brought to life again through AI. The voiceover, also AI-generated, is based on several sections of the book "Walden" by Henry David Thoreau. The work explores aspects of what "back to nature" might actually mean in an artificial world.
2021
Sovrum / Bedrooms features a series of 4x5 full-night exposures taken in the early part of 2021. Using a large format camera, these images achieve notable sharpness through a small aperture, enabling long exposures of up to eight hours.
The collection focuses on the subtle and often overlooked details of nighttime environments, inviting contemplation of light and shadow in domestic spaces. The presence of the mobile phone within these scenes serves as a quiet commentary on contemporary life, highlighting the tension between our always-connected devices and the stillness of the night.
2024
A Hard Currency of Memories is an experimental essay film that navigates the intricate relationship between memory and data. Through individual interviews detailing experiences of data loss, along with field site visits and interviews at a data recovery lab, the film sets out to investigate the infrastructure underlying this modern phenomenon. Enriched with archival material, it offers a deep dive into the complexities of memory preservation in the digital age.
Archival material from The Prelinger Archives Home Movies. Sourced from the Internet Archive. As well as private family films from the directors personal albums.
2021
2022
Ögonkontakt / Eye Contact consists of archival material from a family album that has been AI-generated into moving images. The archival material consists of glass negatives scanned in the early 2000s and has therefore been a low-resolution source material.
The artist has worked with the information gap in the work to see what the result becomes through an AI-generated enhancement. The focus of the eyes in the work takes leaps in perhaps the most profound communication we humans are accustomed to: eye contact.
What happens when still images are presented as moving material? The recurring gazes become a meeting with an archive, artificial memories with relatives, but also an examination of how real the generated eyes are perceived. A recurring death algorithm or a mirror to the soul.
2018
2022
Arvsmassa is a multiscreen video installation made from a vast amount of material filmed in the forests around Umeå at the Documentary Residency of Sune Jonsson Center of Photography in 2022.
The material is all filmed in sepia, and act as an exploration and meditation of being alone in the forest.